"The way to be is to do." Confucius
Music has been a big part of my life since I was a kid. A condensed timeline:
I’ve recorded a number of covers of popular English and Hindi songs as well as produced my own instrumental interpretations. Most of these are from my early years in college, but I plan on adding more pieces soon!
For the 2015-2016 school year, I was the director of Raagapella, Stanford’s South Asian a cappella group. My goal as director was to push the group forward both in terms in the abilities of each individual singer but also in the repertoire that we learned as a group. In particular, I pushed to learn a large number of songs that had variations in style, tempo, and origin. Below is a table of the pieces we learned by quarter (italics indicate new arrangements that I introduced).
Fall | Winter | Spring |
---|---|---|
Oru Maalai / Oka Maaru | Woh Lamhe | Kangna |
Jaane Kya Chahe / Burn | Aicha | O Humdum Suniyo Re |
Oh Carol | O…Saya | Chaiyya Chaiyya |
Vande Mataram | Chan Chan (Aayo Re Sakhi) | Pani Da Rang / Superstition |
Hallelujah / Ey Karevan | Mahabharat Theme Song | Allah Ke Bande |
Chandrachooda | Swing Low / Mangalyam | Kun Faya Kun |
Aashayein | Bholi Si Surat | |
Pehla Nasha |
As a semi-professional group, we perform thorughout the Bay Area and occasionally travelled for outside performances. Our highlight performances for the year were:
In addition, as director, I oversaw the final release of the group’s second album Raag Time. You can find it on iTunes, Google Play, Amazon Music, Spotify, YouTube, and many other outlets.
In Spring 2013, I performed a set of five pieces with Rohan Shah in an intimate concert as part of CelebrateART at Rice University. Our set list was:
In Spring 2011, I co-directed a 15-minute musical with Rashmi Kamath and Karthik Soora for the Rice University South Asian Society’s annual spring show Rangeela. This involved bringing multiple singers together to record tracks as well as choreographing dance numbers with a cast of more than 15 people. The pieces we arranged for the production were: